
mythological dark fantasy reviews
Explore Nine Levels by Elana Gomel, a mythological dark fantasy blending surreal landscapes, haunting revelations, and resilience.
Let’s start with a truth bomb: writing dark fantasy is not for the faint-hearted. It’s about taking the cozy, light-dappled world of your imagination and dragging it through the underworld, kicking and screaming. It’s about crafting places so eerie and uncanny that readers feel their own reality start to wobble. And then, because you’re a master of your craft (or about to be), you balance it all with psychological depth and mythological resonance that makes your story linger in their minds like a half-remembered nightmare.
But how do you actually do it? How do you write something as unsettlingly brilliant as Elana Gomel’s Nine Levels? Don’t panic. I’ve got you covered.
First off, why do mythology and dark fantasy work so well together? Because myths are inherently weird. They’re full of strange creatures, impossible feats, and rules that don’t make any sense until you realize they’re about human fears and desires. Dark fantasy takes that same weirdness, wraps it in a velvet cloak of gothic aesthetic, and asks: “What if we explored the bits of this that really scare us?”
Take Orcus, the haunting realm in Nine Levels. It’s a mythological underworld reinvented, where every level peels back another layer of the protagonist’s psyche. Mythology gives you ready-made symbolism—a cyclopean figure, a glowing portal, ghostly wolves—but dark fantasy lets you make it personal and horrifying. Think Neil Gaiman’s American Gods or Madeline Miller’s Circe.
Here’s the thing about surreal worlds: they’re not just places. They’re metaphors. The forest in Nine Levels isn’t just a creepy forest; it’s a manifestation of Cleo’s internal fears. If you want to write a setting that sticks in readers’ minds, it needs to reflect the emotional stakes of your characters.
Start by asking yourself:
For example, if your protagonist is grappling with guilt, their journey might take them through a crumbling cathedral where the statues seem to whisper accusations. If they’re in denial, the world might appear deceptively idyllic, with cracks revealing something darker underneath.
Remember, surreal doesn’t mean nonsensical. It means exaggerated, heightened, emotionally charged. Every element should serve the story, whether it’s the color palette (muted, eerie tones), the geography (endless cliffs, tangled forests), or the wildlife (ghostly wolves, anyone?).
Dark fantasy thrives on twists. Not the “gotcha” kind, but the “oh no, that’s worse than I thought” kind. These are the moments when your readers realize they’ve been following breadcrumbs right into the jaws of a trap—and they love it.
To write a good twist, you need three things:
Look at Game of Thrones. The Red Wedding isn’t just shocking because it’s violent; it’s shocking because it destroys the hope that honour can triumph in a brutal world.
Here’s where a lot of writers trip up. They think that because they’re writing fantasy, they can skimp on character depth. Nope. If anything, your characters need to be more complex, because they’re navigating worlds that are inherently exaggerated.
Cleo in Nine Levels isn’t just wandering through Orcus for fun; she’s searching for her twin sister, Cora, while grappling with her own fractured memories. Her internal struggle mirrors the external chaos, grounding the surreal elements in raw, human emotion.
To add psychological depth, focus on:
Mythology isn’t just window dressing. It’s a way to tap into universal fears and desires. When you use mythological elements, you’re connecting your story to something ancient and primal, which makes it resonate more deeply.
The trick is to reinvent the myth. Don’t just retell Persephone’s journey to the underworld; make it about the things that matter to your story. Maybe your underworld is a corporate office, and Persephone is a burned-out intern. Or maybe it’s a digital landscape, and she’s a coder trapped in her own creation.
For inspiration, check out The Silence of the Girls by Pat Barker or The Song of Achilles by Madeline Miller .
At the end of the day, readers come for the fantasy but stay for the feels. The most surreal, fantastical world won’t matter if your characters don’t have emotional stakes. Cleo’s love for her sister Cora in Nine Levels isn’t just a subplot; it’s the emotional core that makes every twist and revelation hit harder.
Ask yourself:
If your characters don’t care deeply about something, neither will your readers.
Dark fantasy isn’t just about scaring readers or making them uncomfortable (although it’s great at that). It’s about using surreal worlds and mythological elements to explore the things that matter most: love, loss, identity, and the human condition.
So, whether you’re dreaming up your own Orcus or weaving a tale of ghostly wolves and glowing portals, remember this: the best dark fantasy doesn’t just transport readers to another world. It transforms the way they see their own.
Now go forth and write something twisted and brilliant. And if you need a little more inspiration, check out Nine Levels by Elana Gomel. It’ll blow your mind—and probably your next draft too.

Explore Nine Levels by Elana Gomel, a mythological dark fantasy blending surreal landscapes, haunting revelations, and resilience.
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