In the hustle and bustle of this busy world, where we trip from home life to career to recreation, stumbling across emotion and spirituality along the way, are we really living the best life we can? Is giving life the best shot, or letting events lead us in a dance of chance the best way to travel the life course, or is taking time to study the human psyche and mankind’s capacity for spirituality likely to lead us to equal, or even better outcomes? Perhaps it’s little wonder that self-healing books have become so popular.
The availability of self-healing literature demonstrates that we are indeed avidly interested in how to succeed in various aspects of life. Some literature purports to assist us with confidence or success in the workplace-other works claim better relationships or stable mental health are possible by paying attention to underlying or unconscious human needs and desires.
There is no doubt that perception and its resulting behaviours can impact on human psyche in both positive and negative ways. Social conduct in the western world has no doubt contributed to a rise in mental health difficulties; conversely, inspirational stories of those with a positive mindset convey how lives, relationships and even happiness can be greatly enhanced by taking the time to discover how we tick and promote self-healing.
The great thing about inspirational stories is their ability to gather momentum, providing invaluable advice to those who may be struggling or in a rut; those who are stuck in the mire of bad decisions and relationships, of poor mental health and depression, or simply of boredom with life. They give hope to those who are too weary to identify their spiritual need, or know nothing of psychology or subconscious behaviour.
The personal experience of another human can cut through complicated jargon and academic complexities, suggesting the possibility of a clear and uncomplicated path to success where there was previous failure. The language of another with personal experience shines more brightly than that of the professional who writes from a purely academic perspective. Imbuing the reader with hope and the fire to take the bull by the horns, learn about not only the writer, but about themselves, and make changes to improve their lives. It is the modern form of word of mouth, of learning by observation, and of working together as a social body for the good of all and enable self-healing.
We work with both traditionally published and “indie” authors who have self or independently published books and our mission is simple. It’s to discover new and talented authors and help them give their work the attention and awareness it deserves. We do this by providing professional and credible reviews which are respected by our readers. Our primary focus is on fiction across all genres, non – fiction with broad appeal and selected poetry.
We journey with Benjamin through romance, business, adventure, and personal grief, where the oxymoron of both the self-sufficiency and the sometimes needy side of introversion becomes all too apparent.
Dystopia with a difference, Drago gives us an intricately constructed world of Proto-humans and strange Mythological creatures, where strange measures of time and distance make for an unfamiliar setting in which to give birth to his twisted tale of biblical endeavour.
Anderson doesn’t have to try to be outlandish he was born to write that way. He excels at pitch-black comedy, is a master of wicked one-liners and as with The Omnipotent the relentless self-interest of Anderson’s central character, Treyton Templeton, spreads like a particularly vehement poison ivy into every aspect of his being.
One of those rare novels that catch you up in something bigger than yourself, namely, an archetypal desire to enjoy a powerful escapist read, Gods In The Ruins proves a powerful start to E. R. Barr’s Vatican Archives series. A viscerally effective supernatural thriller that is by turns atmospheric, eerie, evocative and above all ensures readers are always curious about what comes next!
We are constantly and enduringly fascinated with fictional accounts of parallel existence, alternative realities and genetic engineering. Films such as ‘The Fountain’ present immortality as attainable, whilst books such as ‘The Book Thief’ (Markus Zusak) explore the nature of death, in this case by death himself acting as narrator.
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