
Ghost Paranormal Romance
A wonderfully disarming read about love and loss Daisy Roberts is Dead refreshingly avoids many of the genre’s syrupy dangers leaving the reader with the truth of the matter. Which is the way it should be.
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SUMMARY: Detective Constable Raven Bowen’s life seems to be falling apart around her. Her Wiccan mother, Ena Bowen, has recently passed to spirit and even though Raven hasn’t seen or spoken to her in twelve years, she feels the loss. Then there’s her relationship with her lesbian lover, Riley Gallagher, which ended rather abruptly and Raven only has herself to blame.
The BookViral Review: Genre – Women Sleuths & LGBT Fiction
A highly entertaining and atmospheric read that does the genre proud, Hewlett’s High Priestess fields a plot that works with diabolical effectiveness. It seems a failing of the genre that far too often the atmosphere is layered to the point where it becomes laborious and impenetrable, but in developing her narrative Hewlett demonstrates a keen understanding of what will unsettle her readers. The favoured genre tropes are evident throughout, the intrigue is quick to build and there’s the obligatory blood and gore, but it’s not gratuitous with Hewlett sure to touch the right emotional chords.
Raven’s life has been anything but typical. Her life has been mercurially altered twice at the hands of others but however horrible they have been, it’s these changes that have given her a career as a detective. And with the witchcraft pitched just right Hewlett confidently maintains the element of suspense whilst fully sculpting Raven’s darkest moments for maximum impact. Supported by a rich and diverse cast of equally well-observed characters Mick and Riley are quick to come into their own and when Raven’s errant father Kiran enters her life he changes its course in more ways than one.
A top-notch paranormal offering in the Women Sleuths & LGBT genre High Priestess is sure to be well received. With the promise of more to come it is highly recommended.
A wonderfully disarming read about love and loss Daisy Roberts is Dead refreshingly avoids many of the genre’s syrupy dangers leaving the reader with the truth of the matter. Which is the way it should be.
An absorbing read from start to finish Perlsweig’s foray into 20th Century Social & Cultural History of the U.S. proves particularly poignant given the continuing presence of Covid and the ongoing Ukraine war.
Definitions differ as to what constitutes a ‘genuine’ historical novel and when the term ’historical novel’ might properly be used. More importantly it begs the question as to What Makes Bestselling Historical Fiction Novels.
You know the ones! The edge of your seat, knuckle gnawing, nail biting books. So, what makes for a good plot. Is there a magic recipe? Or is it just potluck?
As the years advance, I have lost count of how many books I’ve read but on reflection, it hardly seems relevant. What is truly noteworthy is how many leave a lasting impression on us.
History and present day testifies to the struggles women face and have faced to earn what should be the natural right of all humankind – fairness.
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