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SUMMARY: Nine words, written in an ancient language, are found embedded deep in the pixels of a photograph taken by Photographer Matt Reese. Struck by a flash of light Matt and model Elaine Gardner experience a simultaneous near-death experience that leads them to the epicenter of a world on the brink of nuclear war.
The BookViral Review:
Originality and authenticity have always been the bedrock of great fiction and in Last Light Michael Agliolo comfortably delivers on both counts. Blending apocalyptic conspiracy and biblical dogma, it’s a literary undertaking that might daunt the most seasoned of authors. But it’s one which Agliolo manages with enviable panache with his descriptive ability painting scenes that are compelling and immersive.
Writing in crisp prose and only lingering in the detail when it isn’t to the detriment of his narrative, he has a scrupulous eye for detail. It’s evident in the characters he creates and the authenticity he brings to a world on the brink of war with main protagonists Matt and Elaine quick to establish their credentials.
Last Light really is escapism of the highest order, hurtling along at a cracking pace that both intrigues and beguiles as past and present become intrinsically linked. On this level alone it’s a must-read for fans of the genre but for readers that are open to it, Last Light will likely prompt some deep discussion on the subject of faith as well.
Powerful and thought-provoking, Last Light proves an exceptional novel from Michael Agliolo and it is recommended without reservation!
Detective Constable Raven Bowen’s life seems to be falling apart around her. Her Wiccan mother, Ena Bowen, has recently passed to spirit and even though Raven hasn’t seen or spoken to her in twelve years, she feels the loss.
Not Dead sees Anita Dickason at her very best as creates a tantalizingly morbid atmosphere of unease that spins along on the fears and anxieties of her lead characters.
The religious book market and faith-based poetry continues to see year on year growth, which certainly indicates a surge of public interest in what has historically been a minority genre.
The bedrock for authenticity has to be robust research but the inclusion of fact doesn’t necessarily make for a compelling read.
It’s a question that’s courted more than a little controversy over the years, but there’s a significant difference between paying for a book review with no influence over the resulting review and paying for a review that is guaranteed to be overwhelmingly favourable,
Should writers write what they know about or has this age-old sage piece of advice become something of a cliché.
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